Weber, Mendelssohn, Offenbach, Prokofiev
I moved into the Musikverein for the day, for three concerts back-to-back-back in the Golden Hall. The first featured the Wiener Symphoniker and Dmitri Kitayenko.
I had never seen Kitayenko conduct in person, but know him from some fine recordings. But this was the second concert in a row with the Symphoniker that I was disappointed with. They sound perfectly fine, but the Symphoniker is too good to sound “perfectly fine.” Fedoseyev (who conducted them last week) and Kitayenko (today) are both excellent conductors, and there was an obvious rapport with the orchestra (I know they love Fedoseyev, and I’ve heard him conduct them before with great results). So I wonder what is up with that orchestra at the moment.
The performance today opened with the Oberon Overture by Weber, followed by the Mendelssohn Violin Concerto (a 29-year–old Russian violinist, Mikhail Ovrutsky, was the soloist). As a pre-intermission encore, they performed Hoffmann’s Kleinsack song from Offenbach‘s Tales of Hoffmann (I have no idea who the unannounced tenor was or where they found him – tenors don’t usually just pop up and sing encores when they are not in the program; voice sounded a little strained, maybe from lack of warm-up, who knows?).
After the intermission, German actor Gert Voss read a very funny short story by Thomas Bernhard in memoriam for the 20th anniversary of his death. Then came Prokofiev‘s Peter and the Wolf, narrated by another apparently famous German stage actor, Sunnyi Melles. She was dramatic, but missed a few cues, and read strictly from the script rather than providing the embellishments that are usual with live performances. I suspect she never rehearsed and may have been reading it for the first time.