Schostakowitsch

I found the antidote for Thursday’s dull performance of Schostakowitsch’s 7th: tonight’s performance of Schostakowitsch’s 7th. The Mariinsky Theater Orchestra may not have played the notes as perfectly as the Russian State Symphony Orchestra (or maybe they did – more on the acoustics in a moment), but Valery Gergiev got far more emotion out of it than Gorenstein did on Thursday.

Unfortunately, the acoustics in the Dom Muziki are dull. The hall itself is basically a big slotted wooden cylinder. Looks tasteful enough for a modern hall, but I think designed more for pizzazz than for sound quality. Still, dull acoustics obviously beat a dull interpretation.

The building itself (around the hall) is also reasonably pleasant looking, until you realize it is a fire disaster waiting to happen. They have essentially made clusters of seats directly accessible only from specific doors. There is almost no room on the narrow landings outside each of the doors, so everything turns into a huge crowd. Then the stairs and escalators – of which there are too few – all converge on themselves, piling more and more people into less and less space (and the silly design means this is somehow true both going up to take the seats and going down to leave after the concert). Even the lobby is not really the lobby, but is itself only accessible by a single set of narrow escalators wrapped around on themselves from a foyer two levels further down, which itself doubles as the main entrance of another chamber concert hall. I don’t really know how they managed to build this place, unless someone as a practical joke substituted an Escher print instead of the correct architectural sketches.

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