Verdi, Rigoletto

Tonight was Verdi’Rigoletto at the Novaya Opera.

Musically, it met the standards I have come to expect from the Novaya. Conductor Yevgeny Samoilov drove the performance, and had an excellent sense of theater.

On stage, there was less of a sense of theater. The staging was simplified traditional, but the director had no sense of drama. Characters essentially stood around, or moved around the stage independent of events. This is possibly because the production was originally a co-production with an Italian festival, and since Italian opera singers tend towards the obese, perhaps it was designed to have minimal motion. However, Russian opera singers tend towards the starving artist look, and are much more agile, so they should have adapted the stage directions accordingly.

Singing was musically good, but it is hard to act with such lousy blocking. As a result, some of the cast did not even try (the Gilda, for example, seemed comically incapable of knocking on Sparafucile’s door in time with the knocking sound in the score).

Rigoletto was an exception.  Vasily Svyatkin, a big bear of a Russian baritone, acted with his voice, even when the stage director gave him odd blockings. He was the highlight.

Nurlan Bekmukhamvedov, as the Duke, also had a very pleasant voice, but it was a tad too high: he had absolutely no trouble hitting all the high notes beautifully, but without the lower register his voice did not fully resonate. Volume was fine, just not so much depth.

That may be my last performance in Moscow until the Fall. June is a thin month, and then I won’t be back here until October.

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