Respighi, Bartok, Ravel, Liszt
An afternoon concert of lighter music at the Tschaikowsky Hall, with the Tschaikowsky Symphony Orchestra under Dyenis Lotoyev.
The concert opened with Respighi’s Suite #1 of Ancient Dances and Airs. I do not believe that this orchestra often plays music composed before the mid-19th century, and although Respighi wrote this in the 20th century, he based it on Renaissance music. The orchestra seemed a little lost as a result. Much of this I can directly attribute to the harpsichordist, who seemed incapable of playing in time, and who must have distracted the rest of the orchestra. The performance greatly improved in the movements with limited harpsichord, which meant that the orchestra could capture the 20th-century sonorities Respighi used to enhance the music.
Bartok’s Dance Suite followed, and here the orchestra was more at home. Likewise for the piece following the intermission: Ravel’s Noble and Sentimental Waltzes. I do not listen to much Ravel, since I consider him excessively dull. But he was good at orchestration, although not as great at it as his reputation. Both the Bartok and the Ravel pieces, with lots of solo lines emerging from lush scoring, allowed this orchestra to showcase its skilled instrumentality. This orchestra was formerly known as the USSR State Radio-Television Orchestra, and has retained its standards under its Principal Conductor Vladimir Fedoseyev (who has been at the helm since 1974). He turns 80 next year and is slowing down, so it will be curious to see who takes over this fine ensemble.
The concert concluded with Liszt’s Mephisto Waltz #1, which was more like a scheduled encore than a natural follow-on. Still nice to hear this orchestra get enthusiastic.