Verdi, La Traviata
Verdi’s La Traviata tonight at the Armenian National Opera featured as Violetta Valéry soprano Anahit Mekhtaryan, who seems to be a bit of a celebrity here. Her delicate voice matched the role well, on one hand, but proved big enough to fill the large hall on the other. The upper registers tended sharp, especially at bigger volumes, but overall she was quite good.
As Alfredo Germont, Hovhannes Ayvazyan matched her well, although his voice sounded a tad tinny. Arnold Kocharyan performed the role of Giorgio Germont as a sympathetic figure, rather than the necessary bad guy in many portrayals. He was a character of his time, and meant well, but ultimately showed a human side and felt responsible for Violetta’s downfall (although her illness predated the events).
Staging was mostly traditional, except for some odd stone structures on the back wall. Two stone figures appeared to be the couple from Gustav Klimt’s The Kiss. Each scene, they moved further apart from each other. Other rock figures moving around were a devil’s face (I presume), and a lot of detached hands, not to mention two stone columns which melted onto the floor during the final act. Although weird, the back wall could be safely ignored.
The orchestra sounded quite good, under the able baton of Karen Durgaryan. Unfortunately, as I have noted before, the huge concrete block that is the opera and concert house is poorly insulated from the outside, so noise leaks in. This evening, a rock concert was scheduled for a square in front of the opera side of the building, and the floor throbbed with unwanted bass. During the final act, as Violeta prepared to die, an unfortunately-timed and very audible fireworks display began in the square. It seems odd that they could not have been bothered to wait ten minutes.