Haydn, Elgar, Richard Strauss
It may seem impossible to describe the Alps to those who cannot see. Indeed, at a performance of Richard Strauss’ Alpensymphonie earlier this year, the Stuttgart Philharmonic saw the need to accompany a photographic show on a big screen behind the orchestra. Today, the Vienna Philharmonic performed the same work without photographs (and from my last-minute seat on the balcony behind the Musikverein organ, I could not even see the orchestra) and none were necessary. This afternoon’s performance demonstrated how the Alps sound, emerging from the night fogs to rise dramatically over the clouds and, after meadows and glaciers and waterfalls and a huge storm, settling back into the night. Andrís Nelsons, the young Latvian star who recently took over the Boston Symphony Orchestra, triumphantly led the Philharmonic with sensible pacing and nuance.
The concert opened with Haydn’s “Surprise” Symphony (known to the German-speaking world not as “Surprise” but as the “Symphony with the Timpani Strike”). There are various stories as to why Haydn wrote this odd work, many involving a need to keep a London audience awake. But whatever the reason for the pounding of the timpani, the symphony is full of humor and wit. Haydn is the father of the modern symphony, and this piece has all the architecture that later composers built on, without being formulaic – a thinking-man’s symphony. Nelsons and the Philharmoniker clearly know how to think, and performed the symphony with a level of whimsy throughout, mixed with a fullness of sound which would not have always been available to Haydn in his day.
The middle work did not succeed. Elgar’s Romance for Bassoon and Orchestra was an odd piece. It never seemed to come together tonight, as though the bassoonist and orchestra used different scores. The soloist and orchestra should know each other well: Michael Werba is the Philharmonic’s first bassoonist. Someone who could see Nelsons’ face told me he looked quizzical on the podium. Since I could not see any of the performers, I had no visual clues. Suddenly it ended (which I could only know becuase the audience started to applaud – albeit a lukewarm applause).