Rossini, Il Turco in Italia
A new production of Rossini‘s Il Turco in Italia came to the Salzburg Landestheater last week, with the second performance tonight. The cast and orchestra looked quite pleased with themselves, as they should have been, so the musical side of the performance would have worked out any kinks from opening night.
This was a musically-idiomatic Rossini, led by Adrian Kelly from the harpsichord, with the right amount of humor. The mostly-young cast matched this element from the stage, headed by Pietro Di Bianco as Selim, the title role, and Hannah Bradbury as Fiorilla and well-supported in particular by Sergio Foresti as Geronio and Simon Schnorr as Prosdocimo. I’d like to comment on their sense of nuance, as they build their careers, but I kept getting too distracted by the goings-on on stage to fully appreciate their apparent talent; I hope to hear them again in a more sensible setting.
Indeed, if I had kept my eyes closed, I would have enjoyed the performance more. The opera is a Rossinian farce with a convoluted plot, which leaves the opera director much room to have fun. But there is a plot, and to stage something else in no way helps the audience understand the bizarre twists in the story. Tonight’s setting, moving the scene to the Costa Concordia cruise ship that sank off the Italian coast in 2012, with Geronio as the ship’s captain, was nonsense. To even try to make this work proved distracting from the opera the cast was gallantly trying to perform. The German (of course) director, Marco Dott, at least did not seem to try to offend the audience, so I suppose he could have done far worse.