Kabalevksy, Rachmaninov, Scriabin
Lorenzo Viotti, the Swiss who won the annual Salzburg Young Conductors Award last year, celebrated his victory concert this morning in the Felsenreitschule leading the Vienna Radio Symphony Orchestra, with an ambitious all-Russian program. Although he seemed to have a clear idea of the structure of the music, the performance was not compelling. How much of this could be the fault of the nicely-toned by rather blurry orchestra is unclear.
The overture to Colas Breugnon by Dmitri Kabalevksy opened the morning concert like an alarm clock. Kabalevsky’s music, usually fun if rarely memorable, did the trick, and Viotti and the orchestra handled the theatrics. The young Georgian pianist Khatia Buniatishvili then took the stage for Sergei Rachmaninov‘s second piano concerto. Buniatishvili performed the work entranced as if in a dream, in a better world. The Orchestra applied a bit too much pedal, however. Where her notes came across crisp and light, theirs plodded. Clearly this was her dream: they just slept through it.
The single work after the intermission had first attracted me to this concert: Aleksandr Skryabin‘s Second Symphony. Underappreciated as a symphonist, because he was stark raving mad, Skryabin was a classmate and close friend of Rachmaninov at the Moscow Conservatory and turned out some of the greatest Russian symphonies of the Twentieth Century. He set out to destroy the world in six symphonies – fortunately maybe for the world but not for music-lovers nor certainly not for him, he died at 43 years old having only written five, so the world survived (although the Bolsheviks finished off his world two years later, and his reputation fell into rapid decline). When his symphonies do appear on a concert program, they are worth seeking out, although again I think the Vienna Radio Symphony Orchestra simply was not up to the job. Their sound was invariably sweet, where Skryabin required sour.