Dvořák, Rachmaninov, Gluck, Bach

Back again to hear the Frankfurt Radio Symphony Orchestra under Andrés Orozco-Estrada in Salzburg’s Great Festival House.  It would appear the orchestra made some adjustments to the hall since Wednesday, as the tone was clearer and some of the peculiarities (like the vibrating forte brass) did not repeat tonight.  So I can possibly put down their Wednesday sounds to insufficient rehearsal time in this hall (maybe – I have no idea; I only know they sounded better tonight).  However, they continue to play with little emotion, more background music for a film soundtrack but without the film.

Tonight’s concert opened with Dvořák‘s tone poem The Midday Witch, a humorous little piece of Czech folklore, which put me at ease that we would not have as murky a concert as on Wednesday.  The music then switched back to Rachmaninov – his fourth piano concerto and the second symphony.

Denis Kozhukhin returned to the keyboard for the concerto.  This is perhaps not as strong a work as the third concerto these forces performed on Wednesday, seemingly lacking direction – a little jazzy, but with no discernable overall concept.  Kozhukhin sounded better – somewhat less pedal – and hit all the notes, but I’m not sure Rachmaninov gave him enough to work with.  His two encores (by Gluck and Bach) repeated from Wednesday and demonstrated more of a match for his style, relaxed and sentimental.

Rachmaninov’s lush second symphony is another moody piece.  When performed right it has a forward drive and excitement to it.  Its legatos would seem suited to this orchestra, but their lack of emotion canceled that out tonight.  It is a long work – nearly an hour – keeping in mood, so it is essential that the conductor and orchestra remain engaged.  The playing was pretty, and the woodwinds especially made an impression, but this performance dragged.  The audience spent the concert audibly fidgeting in the seats.

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