Nicolai, Strauss, Tschaikowsky, Ishii
The Waseda Symphony Orchestra stopped in Salzburg on its European tour, along with a troupe of traditional Japanese drummers. This orchestra is the student orchestra of Waseda University, which does not actually have a music department so all of these students are studying something else.
The orchestra, under Kazufumi Yamashita, was enthusiastic and quite adept. Otto Nicolai‘s Overture to The Merry Wives of Windsor opened ahead of the Sinfonia Domestica by Richard Strauss. The legato string playing sometimes managed to capture the right Austrian lilt (neither composer was Austrian, but both had deep connections here – among other things, Nicolai co-founded the Vienna Philharmonic and Strauss co-founded the Salzburg Festival). The Sinfonia Domestica, with its many exposed lines, allowed Yamashita to showcase different members of the winds – with an especially excellent oboist. Tschaikowsky‘s fantasy overture Romeo and Juliette came across just as enthusiastically if somewhat less successfully to start the concert’s second half (many of the wind players seemed to have changed, so this must have been the “B” team).
The Taiko Drummers marched on stage next, their sleeveless shirts flamboyantly displaying enormous muscled arms. It quickly became clear why they needed those, as they banged away on their selection of traditional drums during the Mono Prism for Japanese Drums and Orchestra, by Maki Ishii. The orchestral accompaniment essentially set the background mood, upon which the drummers built their huge sounds. Ishii had explained that the name “mono” referred to monochrome, so where this piece had no melodies it was instead a rhythmic showpiece.
Two encores followed: the first was an orchestral piece (which I did not recognize), where the principal oboist came back out to shine in dialogue with the orchestra. The second encore was another piece for the Japanese drums and orchestra, this one more colorful, almost with the throbbing passion of a Brazilian Carnival.