Wagner, Schoenberg

This evening’s concert by the Camerata Salzburg in the Mozarteum’s Great Hall had great potential, with chamber music by Wagner and Schoenberg.  Unfortunately, Roger Norrington, whom I previously knew only from recordings, turned out to be as dull in person as his recordings suggest.  He has been sapping the soul out of music for over half a century, so not sure why I hoped otherwise.

The concert opened with Wagner’s Siegfried Idyll.  The Camerata performed the last time I heard this work live, so that would make the natural comparison.  Whereas I remember that concert (conducted then by Teodor Currentzis) distinctly, providing a delicate but lush birthday/Christmas morning gift that Wagner gave his wife Cosima, today’s performance was rather more forgettable.

Wagner’s Wesendonck Lieder followed – in an arrangement for chamber orchestra made by Hans Werner Henze.  The arrangement wasn’t bad, nor was the playing.  Alto Elisabeth Kulman had a firm warm tone that filled the hall with beauty.  But the interpretation from the podium lacked drive and meaning.

After the intermission came Schoenberg’s Verklärte Nacht as transcribed for string orchestra by the composer.  I prefer the string orchestra version to the original sextet, as Schoenberg made it more lush.  Tonight’s performance, however, started off as broken down early music with a strand of atonalism built on top, not quite what Schoenberg intended.  It was frustrating as well because the Camerata is an excellent ensemble capable of much more.

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