Beethoven, Bach, Strauss
Salzburg’s Great Festival House has reopened after several months of supposed renovation, and the Mozarteum Orchestra greeted it with a joyous rendition of Beethoven‘s Piano Concerto #1 with Herbert Schuch at the keyboard and Riccardo Minasi on the podium. Minasi kept the performance well-shaped and lively, while Schuch deftly handled the longer third cadenzi that Beethoven wrote as an alternative set for himself eight years after he gave the premiere of this work. An early work by Beethoven, it showed a fullness of character (despite a smaller orchestra) while maintaining a youthful boisterousness.
Schuch added a more sedate chorale by J.S. Bach as an encore, which made a nice balance for the mood going into the intermission – he did not need a show-stopper, but just enough to allow everyone to relax from the exciting first work back in the hall.
After the intermission, Strauss‘ Don Quijote did not quite have the same impulse. The playing was generally fine (although a surprising number of stray notes emerged), but I never got the sense that Minasi had become sufficiently comfortable with this work, as it lacked the humor and spring it needs. The title character appears as the solo cellist, and there are two ways of taking it: either as a first-chair cellist blending into the whole (as the principal violist, tenor horn, and bass clarinet combine to portray Sancho Panza within the orchestra), or as a virtuoso main focal point of the story. Marcus Pouget did not really do either: as a featured soloist he sat up front next to Minasi and played well within the orchestra – so perhaps trying to stand out but not really doing so. His playing, like the orchestra’s, was fine, but it just lacked any particular drive. (On the other hand, the soloist threesome portraying Sancho really did stand out, particularly the principal violist – with tonight’s performance, the work could have as easily been called Sancho Panza).
As for the renovations: I must admit I did not notice anything different than before. The hall could use a good sprucing up, as it is looking a bit tired, and I had assumed that is exactly what they were doing. But all the rips and scratches were in the same places. The stage looked the same, too. The woman in the seat next to me thought that maybe they had installed brighter lights in the foyer – possibly, but that would then appear to have been the extent of it.